Completing a Series

Recently, I was asked by a writer on how to complete the third installment in her series while the first installment was still undergoing editing. The concern was, what if the edits substantially alter books 2 and 3? Should she even pursue book 3, or should I wait?

I’ve had this dilemma in my own series (Medusa), as I will be possibly changing one important fact (shortening the time frame for the events in the book) in book 1 as I convert it from poetry to prose. Should I do this, it will actually sync up with what I had written in book 2. So, I have a later book that will influence the rewrite of book 1.

So, the question begs, do you stop all work and just focus on the book that you are editing or do you push on with the 3 book? In the other writer’s case, I told her it is better for her to finish the third book while the muse is still working, at least to lay down the framework for what needs to happen to wind down the series. At the moment, she cannot do anything to book 1 as it is with an editor.

In my own work, I have worked on both projects at once. Revising book 1, while also writing book 2. Why? Because I need to keep going to get to book 3. Yes, I know along the way, I will have to rewrite some sections in the portions already completed. However, sometimes it is best just to push through and edit later.

Anyone else run into this?  Personally, just finishing one book is an accomplishment, let alone trying to finish three 🙂

J.L.

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Celebrating National Poetry Month

Free books of poetry! Hey, you don’t see that often, do you? Here at the blog, I am celebrating poetry, not only by offering the poetry boot camp and providing excerpts of my own poetry from my latest book, Weathered Fragments, Weathered Souls,
I would also like to share the gift of poetry.

So, I am giving away one signed copy of both of my books, plus other poetry books I have enjoyed. Free. What is the catch? This is a contest, so I can’t give books to everyone (would love to, if I could), but I will do a drawing to determine who will get the books. I will have at least 3 prize books, but if there is enough participating, I will add more.

How do I enter, you ask? Easy.

#1 Like any posts from this month (April). This includes the blog, Facebook, and Twitter.

#2 Double entries if you Share, Retweet, or Press This (via WordPress).

Winners chosen around the first of May. Winners will be posted and notified. You have 7 days to claim before I redraw.

Sound good!

Let’s celebrate poetry!

Back from hiatus

Took a break after writing all those poems. I am excited to announce something new coming up for June. I hope to do another mini-poetry month marathon, which will include another round of prompts for all of those looking for boosts in their creativity. In addition to this, I have another surprise up my sleeve for all of you that follow me on this blog. Stay tuned. You won’t want to miss this.

Happy New Year

Thank you for reading this blog. Your support and correspondence over the year (and beyond!) means a lot to me. This blog has grown a lot since I started it over a year ago, with many, many works added to it. I hope to continue to add more content over the next year to make it an even better experience for you, the reader.

Even after being fortunate enough to have published about 60 works (thank you, dear editors and journals!), I still feel like a new writer at times, and often wonder how other writers go about writing and submitting their works for publications.  Enter Trish Hopkinson’s New Year post about her blog and submission totals for the year. Reading her stats, I am in awe of her blog stats (it is an awesome blog, check it out here, if you haven’t already!) and of her submission stats too, so I decided to look at my own.

Using Duotrope, I looked up my stats for 2016. I write mostly poetry, though, I also write and publish fiction and nonfiction occasionally.

In 2016, I submitted 197 works for publication. These are Duotrope stats.

187 were poetry –this does not include my Alaska Women Speak submissions, of which I had 9 poems published. Duotrope does not list them, so they are not included in the raw numbers.

7 nonfiction – This number leaves out 1 AWS submission as well that was published.

3 fiction – This number, again, leaves out 1 AWS submission that was published.

Overall, I had a 14% acceptance ratio, without the AWS submissions counted. Poetry acceptance was 13.1, fiction was 100% (OK, believe it or not, I just got lucky here for this year, for one of these pieces was rejected in 2015, which doesn’t count this year). Nonfiction acceptance was 16.7%.

In 2017, I plan to submit to more tougher markets (yeah, I know, isn’t it hard enough to get published without MORE rejection!), so my acceptance rate will probably decrease quite a bit next year.

38 works were accepted for publication in 2016, with 3 to be published in 2017.

Not bad, definitely, but as a writer I always strive for more challenges.

Next up are goals for 2017, which I have not articulated yet.

Writers out there, how was 2016 for you?  Please post and share!

J.L.

 

 

 

 

 

 

Lost manuscript found

The things you lose.  How does one lose a 60,000 word manuscript so easily? Even worse yet, how does one forget that they were almost done with said manuscript when it was abandoned.   A mythological story abandoned.  I guess I know what fiction work I will be focusing on now.    #Atlossforwords #foundmanuscript

Ezra Pound

Recently, I had a desire–no, wait, craving–for imagism poetry.  If you are not familiar with this type of poetry, it is often characterized by its sparse language and direct treatment of the subject at hand.  Ezra Pound, Hilda Doolittle (H.D), and William Carlos Williams are best known for this type of work.  Google “The Red Wheelbarrow” for an example.

I have tried and tried to get this one poem published.  It is very much in the imagism vein, as it is very sparse and is centered on one object in detail to tell a story.  I keep plugging away at this poem, but it has yet to find a home, so I bought a book of collected poems of Ezra Pound.  I have just started it, but I can already tell that his early period work (pre-imagism) is not my favorite.  Still, I am enjoying the collection overall.  Hope to share some highlights here as I move along in the collection.

Anyone else ever get stuck on a work and try to remedy it (or gain some understanding about why you are stuck) by reading another writer’s works?  If so, share.